A Historic Survivor

by Carter C. Hudgins, President and CEO

Drayton Hall Ponds

Drayton Hall welcomed Hurricane Matthew to the Lowcountry with secured windows, barricaded doors and a decade of preventative tree maintenance that resulted in relatively few damages to the property. Thanks to the ongoing stewardship efforts of staff and a focus on disaster preparation and management, only minor amounts of rain entered the historic main house, and less than 30 trees were toppled. Though record rains and a significant tidal surge resulted in the ponds overflowing and eroding portions of the entrance road (shown above), none of Drayton Hall’s historic live oaks or magnolias were impacted, and I strongly believe this stands as a testament to our recent efforts to proactively prune, fertilize and stabilize the site’s horticultural gems. Without the generosity of the Friends of Drayton Hall and their support of our historic trees, the storm could have resulted in the loss of significant landscape features.

Still, hurricane cleanup is/and will continue to be part of the daily routine for Drayton Hall’s landscape staff and partners, including Bartlett Tree Experts, shown below as they help us to remove a downed tree. For now, the roads have been resurfaced, the site has returned to normal operation and we look forward to welcoming you onsite in the days ahead.

Matthew’s impact from preparation to damage and clean-up to restoration:

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Drayton Hall in the News – January 2016

 

Drayton Hall 2013

Photo by Jack Alterman

Enjoy these two recent articles about Drayton Hall, its staff, and the work we’re doing to preserve this architectural masterpiece.
Online: January 2016 – Charleston Mercury – “Drayton Hall’s ‘Bad Boy’” by Robert Salvo or download the pdf version: ChasMerc DraytonHall’s bad boy fullarticle
Online: January 17, 2016 – Post & Courier – “At Drayton Hall, a New Solution to an Old Problem” by Robert Behre or download the pdf version: P&C Drayton Hall’s Portico full article

 

 

 

 

Building Bridges Symposium Highlights Latest Research and Discoveries from Drayton Hall

header1Join us on January 29 and 30 for Breaking Ground and Building Bridges, a symposium that brings together leading scholars from Charleston’s preservation and history organizations to present new research on the material culture of the Carolina Lowcountry. Over the course of two days, speakers will discuss exciting initiatives and cutting–edge research projects related to archaeology, the decorative arts, social history, and post-Reconstruction Charleston. Critically-acclaimed artist Jonathan Green will give the Keynote Address at the Building Bridges Symposium.

This year, Drayton Hall will be represented in the program by Cameron Moon, Preservation Coordinator, who will present “The Caretaker’s House: Vernacular Architecture and the Postbellum African American Community at Drayton Hall” on Friday at 2:15 pm. Ms. Moon will speak about how her research of the caretaker’s house has led to a better understanding of the African American community living at Drayton Hall from the late 19th to mid-20th century and has helped to develop a more accurate portrayal of the tenant houses and landscape during phosphate mining.

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c. 1915, one of the earlier photographs of the caretaker’s house shows it in its original location next to the main house. This is a rare view, as it is of the back of the house and shows its original footprint before an addition on the back was built in 1923.

The Symposium is a collaboration between Historic Charleston Foundation, Drayton Hall Preservation Trust, The Charleston Museum and Preservation Society of Charleston to facilitate dialogue among many of the Lowcountry Institutions. All proceeds will benefit the sponsoring institutions. Symposium tickets are $125/person for the general public and free for students.

See full schedule and purchase tickets

 

Camerodrayton_hs_06n Moon is a graduate of the College of Charleston with a degree in Historic Preservation and Community Planning and a minor in Anthropology. Her honors thesis chronicled the adaptive reuse of the Cigar Factory on East Bay Street and its relationship with the surrounding neighborhood. Before joining the DHPT staff in September 2014, she worked for Edgewood Builders, where she learned construction, preservation, and restoration techniques at Medway Plantation and houses in the historic district. Cameron is currently working on ongoing Drayton Hall conservation projects as well as converting the museum shop, housed in the former caretaker’s house, into an interpretive museum space.

Unexpected Discoveries at Drayton Hall

Nov 20 - Interior Face of Brick Core

Interior face of brick core taken from south side of basement wall showing decorative grapevine joint. Photo credit: Drayton Hall Preservation Trust

Enjoy this fascinating piece by Trish Smith on the National Trust’s Preservation Leadership Forum Blog. Posted on November 20, 2015, news of the discoveries related to the rehabilitation of Drayton Hall’s iconic double portico has already lit up social media with many thousands of posts, shares, and tweets.  

“The nature of the space below the portico stairs has always been a mystery. It was thought that the space may contain rubble fill as is the case below the stairs on the opposite side of the house, but no one knew for sure. When the core drill punched through the brick wall into open space, everyone’s curiosity was piqued. What was on the other side of that wall? If we could find a way to get a camera in there, what might we see?”  – Trish Smith

For more background on the project, read Part One.
You can also follow our weekly portico updates on Facebook.

 

Drayton Hall, a National Historic Landmark and property of the National Trust for Historic Preservation, Charleston, South Carolina.

Drayton Hall, Charleston, South Carolina.

The Significance of Drayton Hall’s Iconic Double Portico  –  Drayton Hall’s iconic portico is the only one of its kind in the world as it both projects from, and recedes into, the front of the house. While most early American houses of the period were built with centered gables to simulate a pedimented portico, Drayton Hall’s portico was fully executed in the Palladian fashion, representing a sophisticated understanding of classical architecture. As such, visitors to the site expect to hear that Drayton Hall’s main house was designed by a famous architect; instead, they’re surprised to learn that Drayton Hall was likely designed by John Drayton (d. 1779) himself, who founded and built Drayton Hall.  Please visit our website for more information.

Patricia "Trish" Smith

Patricia “Trish” Smith is curator of historic architectural resources and the project manager for the Portico Rehabilitation Project. She holds a master of science in historic preservation from the Clemson University & College of Charleston joint Graduate Program in Historic Preservation.

 

 

 

 

 

Drayton Hall’s Collections Objects in New Exhibit

Charles Drayton (1743-1820). Artist unknown. ca. 1760. Watercolor on ivory, supported by burnished bezel case with hanging loop and mounted brooch pin. Drayton Hall Museum Collection, National Trust for Historic Preservation. Gift of Mr. Charles H. Drayton, III. Photograph courtesy of Mr. Russell Buskirk.

Charles Drayton (1743-1820). Artist unknown. ca. 1760. Watercolor on ivory, supported by burnished bezel case with hanging loop and mounted brooch pin. Drayton Hall Museum Collection, National Trust for Historic Preservation. Gift of Mr. Charles H. Drayton, III. Photograph courtesy of Mr. Russell Buskirk.

By Sarah Stroud Clarke, Archaeologist + Curator of Collections

A group of objects from the Drayton Hall Museum and Archaeological Collections are on their way to The Society of The Four Arts in Palm Beach, FL, to be part of the exhibition An Eye for Opulence: Charleston through the Lens of the Rivers Collection at the Esther B. O’Keeffe Gallery, November 21, 2015 through January 10, 2016 (opening weekend November 20-22, 2015). The exhibit features the private collection of John M. Rivers, Jr., as well as objects from the Gibbes Museum of Art, Historic Charleston Foundation, The Charleston Museum, and Drayton Hall.

See images from Opening Night here.

Drayton Hall is pleased to be part of this wonderful group of institutions bringing together key elements of Charleston’s past through surviving material culture. Drayton Hall represents the earliest surviving colonial estate in Charleston, South Carolina, and the objects on loan to the Four Arts illustrate the great diversity in the collections found at Drayton Hall. Included are Chinese-export porcelains original to John Drayton’s (1715-1779) ownership of the house, personal items belonging to Charles Drayton (1743-1820), and objects made by enslaved African Americans.

One of the objects, rarely seen by the public, is the exquisite miniature portrait of Charles Drayton (1743-1820) shown above. Painted c. 1760 when Charles was a young gentleman, possibly around the time he was preparing to further his studies in England.

The archaeological collection at Drayton Hall illustrates the many renditions of Chinese-export porcelains that John Drayton (1715-1779) utilized during his lifetime. This nearly intact octagonal saucer, shown below, may represent porcelain purchased in celebration of one of his first two marriages. John Drayton married four times during the course of his life, his first two wives both succumbed to death as the result of childbirth; Sarah Cattell in 1740 and Charlotte Bull (Charles Drayton’s mother) in 1743 just days after Charles’ birth.

Jingdezhen, China, ca. 1740. Hard-paste porcelain with hand-painted underglaze cobalt blue decoration. Drayton Hall Archaeological Collection. Photograph by Mr. Russell Buskirk.

Jingdezhen, China, ca. 1740. Hard-paste porcelain with hand-painted underglaze cobalt blue decoration. Drayton Hall Archaeological Collection. Photograph by Mr. Russell Buskirk.

Colonoware is a type of low-fired earthenware pottery that was created by enslaved African and Native Americans in colonial North America. Shown below, this Colonoware sherd found at Drayton Hall is decorated with a rare example of incised Latin alphabet characters.

South Carolina, possibly the Charleston area, mid-to late 18th century. Low-fired earthenware with incised initials MHD, possibly for Maria Henrietta Drayton (1783-1862), daughter of Charles Drayton. Drayton Hall Archaeological Collection.

South Carolina, possibly the Charleston area, mid-to late 18th century. Low-fired earthenware with incised initials MHD, possibly for Maria Henrietta Drayton (1783-1862), daughter of Charles Drayton. Drayton Hall Archaeological Collection.

We hope you’ll join us in Palm Beach for this fascinating exhibition of over 100 objects from Charleston’s Golden Era.

Sarah Stroud Clarke headshot 2013

Sarah Stroud Clarke is the Archaeologist + Curator of Collections at Drayton Hall, overseeing the archaeological laboratory and recent excavations of the Drayton Hall property and was the 2007 Drayton Hall Wood Family Fellow. She is concurrently working on her PhD in Anthropology at Syracuse University which focuses on the “pre-Drayton” occupation of the property from 1680-1735.

The Esther B. O’Keeffe Gallery is open Monday through Saturday 10 a.m. to 5 p.m. and Sunday 1 to 5 p.m. Gallery admission is $5; no charge for Four Arts members and children 14 and younger. Click here for more on the exhibit.

The Society of the Four Arts was founded in 1936 to offer quality cultural programming to the growing resort community of Palm Beach. Each season, The Four Arts offers a dynamic lineup of cultural programing, including notable speakers, concerts, films, educational programs, and art exhibitions. The campus is home to beautiful sculpture and botanical gardens, a library and children’s library, and a state-of-the art educational facility. The Four Arts is a 501(c)3 nonprofit charity and all programs are open to the public.

“Writing Drayton Hall’s Next Chapter” by Robert Behre

Portico by Robert Behre staff

Drayton Hall’s projecting double portico facing S.C. Highway 61 is considered the front of the house and is perhaps its most iconic feature. The renovation work, seen above, is expected to be done by year’s end. ROBERT BEHRE/STAFF

Great article in the Post & Courier by columnist Robert Behre on our new President and CEO Carter C. Hudgins, PhD., and Drayton Hall’s upcoming plans, including a new facility with exhibit space for many of the site’s collections objects and archaeological artifacts and a new nature trail around its historic rice ponds.

Post and Courier Online

Writing Drayton Hall’s Next Chapter by Robert Behre – Post and Courier – pdf

Read the transcript here:

Post and Courier – October 31, 2015

Writing Drayton Hall’s Next Chapter

By Robert Behre

It would not be inaccurate to say Carter C. Hudgins began his career at Drayton Hall by mowing the grass many years ago and now he is outstanding in his field.

Hudgins, who followed his father’s footsteps into a career of preservation, recently became president and CEO of the iconic Lowcountry house museum and one of South Carolina’s most famous and enduring works of architecture.

And he says the real change there is still to come.

Hudgins is taking the reins at a pivotal time as the site begins a new life, one directed by a local board, the Drayton Hall Preservation Trust, rather than by the National Trust for Historic Preservation, which has given up control but still retains ownership.

He is quick to detail the plans, which include more staff, new buildings and a continued commitment to preserving and interpreting the mid-18th century house and its grounds.

“We are a world-class site,” he says. “We want a world-class engagement with the public.”

No, there are no plans to put furniture in the grand main house or restore it back to its original 1750 appearance.

But the trust expects to begin construction next year on a new building project that not only will handle the routine functions of a welcome center, gift shop and restrooms but will eventually display many of the furnishings and artifacts connected to the Drayton family and the home they built.

“We are actively acquiring objects,” Hudgins says. “We want to be able to show what was in the house, but not with the goal of refurnishing it.”

Instead, the goal is to expand visitors’ experiences without placing further wear and tear on the historic house itself.

Preservation is challenging here because the house is open to the public, and some 60,000 people a year visit it. That’s more feet and weight than most houses are designed for.

Balancing public access and preservation is the crux of Drayton Hall’s mission, and the new building will help.

Drayton Hall already has plenty of items to put in it. Its collection includes more than one million archaeological artifacts and several hundred individual other objects, including dozens of pieces of furniture, one of which is considered perhaps the finest ever produced in Colonial America.

The grounds also will get work soon, with plans to drain the ponds, trim vegetation from their banks and build a new nature trail around them.

Hudgins says Drayton Hall is working with Ducks Unlimited to make sure this work respects wildlife, not just history.

The new attention to Drayton Hall comes at an auspicious time, as there is a growing realization of the importance of how the history and architecture of the city of Charleston blends into the history and landscape of its surrounding plantations.

This interdependence is highlighted in the Charleston World Heritage’s efforts to get the Lowcountry listed as a world heritage site, the highest such designation possible.

The coalition’s new statement on Charleston’s significance begins, “The plantation culture of Charleston and the surrounding Lowcountry represents an exceptional example of human manipulation of land to exploit natural resources and create a distinct social and economic system that infuenced the geo-cultural region from the late 17th into the late 19th centuries.”

That might sound a bit fancy and academic, but it really boils down to this: Preserving buildings and landscapes like Drayton Hall is every bit as critical as preservation downtown.

Reach Robert Behre at (843) 937-5771 or at twitter.com/RobertFBehre.

McDaniel’s Tenure Praised for “Public History Leadership”

Dr. George W. McDaniel

Dr. George W. McDaniel, President Emeritus of Drayton Hall

We were delighted to learn that The Southern Garden History Society ran a wonderful tribute to Drayton Hall’s recently retired President and Executive Director George W. McDaniel in the Spring 2015 issue of its members’ newsletter, Magnolia. Written by Editor Kenneth M. McFarland, the article praised Dr. McDaniel’s leadership, noting his accomplishments and influence over his 25-year-plus tenure.

Click here to read the complete article: George McDaniel and Drayton Hall

About the Society: The Southern Garden History Society was founded in Winston-Salem, North Carolina, in May 1982, as an outgrowth of a continuing series of biennial conferences on Restoring Southern Gardens and Landscapes, held at Old Salem. The purpose of the society is to stimulate interest in Southern garden and landscape history, in historic horticulture, and in the preservation of historic gardens and landscapes in the South. Membership is open to any individual, family, corporation, or organization interested in the aims and purposes of the society.  .

Interested in learning more about Southern historic landscapes? Discover Drayton Hall and what Southern Landscape Historian Suzanne Turner calls “The most significant, undisturbed historic landscape in America.”

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“China of the Most Fashionable Sort” with Suzanne Hood

Suzanne Hood in Chinese Porcelain exhibit at Colonial Williamsburg.

Suzanne Hood in her Chinese Porcelain exhibit at Colonial Williamsburg.

The Drayton Hall 2015 Distinguished Speakers Series Presents Suzanne F. Hood and China of the Most Fashionable Sort: Chinese Export Porcelain in Colonial America

October 15th at South Carolina Society Hall, 72 Meeting Street, Charleston, SC at 6:30pm

Suzanne Findlen Hood is the curator of ceramics and glass at Colonial Williamsburg. Her research focuses on ceramics owned and used in seventeenth- and eighteenth-century America with a particular emphasis on archaeological ceramics, Chinese export porcelain, salt-glazed stoneware, and British pottery. Her most recent exhibition, China of the Most Fashionable Sort: Chinese Export Porcelain in Colonial America, is currently on view at the DeWitt Wallace Decorative Arts Museum in Colonial Williamsburg. As part of Drayton Hall’s 2016 Distinguished Speakers Series, Ms. Hood’s presentation of the same title will show how a decorative arts perspective broadens the stories archaeology can tell by highlighting one of the largest groups of artifacts recovered from Colonial America archaeological sites: Chinese Export Porcelain.

First crossing the Atlantic with the settlers at Jamestown, this porcelain was a valuable commodity that served not only as a symbol of the society the settlers had left behind, but of the wealth and status of those who owned them. Using archaeological evidence, Ms. Hood will bring complexity and nuance to the curatorial understanding of the Chinese porcelain that was present in the colonial South. Within this context, her presentation on October 15th will include images of Charlestonian examples of pre-Drayton and Drayton owned pieces, which are now housed in the Drayton Hall Archaeological and Museum Collections as well as private collections. Also, objects from the Drayton Hall Collections that correspond with Ms. Hood’s presentation will be on display in a small pop-up exhibit.

Ms. Hood holds a B.A. in history from Wheaton College in Massachusetts and an M.A. from the Winterthur Program in Early American Culture and the University of Delaware. Prior to her arrival at Colonial Williamsburg in 2002, she was employed at The Chipstone Foundation in Milwaukee, Wisconsin. She is co-author with Janine Skerry of Salt-Glazed Stoneware in Early America, winner of the American Ceramic Circle Book Award for 2009.

The Fall 2015 issue of Charleston Style & Design features a thoughtful interview with Ms. Hood in advance of her presentation — don’t miss it!  

In the meantime, please enjoy these images from her curated exhibit:

02_Teacup

1. Teacup (partially reconstructed), Jingdezhen, China, 1685–1710, hard-paste porcelain with underglaze blue. Excavated from the site of the Governor’s Palace.

This teacup, one of a pair recovered from the site of the Governor’s Palace, was likely owned by Lieutenant Governor Alexander Spotswood, who served in Virginia from 1710 until 1722. In 1716, he was the first to reside in the Governor’s Palace. These teacups are ornamented over the exterior surface with a simplified version of the Sanskrit character “om,” which also appears on the bottom of the interior. Sanskrit, a liturgical language used in Hinduism and Buddhism, appears on a number of Chinese porcelains produced for over three centuries in Southeast Asia and India. The design can be read like a prayer wheel; as the bowl is rotated, the prayer is released. Despite their apparent lack of connection to a Western audience, sherds from a similar bowl were excavated at Santa Elena, on Parris Island, South Carolina, from a 16th-century colonial Spanish settlement. Two almost identical teacups were recovered from two 17th-century sites: Jamestown Island, and Bacon’s Castle in Surrey, Virginia. It seems unlikely that North American consumers knew of the connection between the decoration on their teacups and eastern religious practices.

Yonge Beakers*

2. Yonge Beakers.* Jingdezhen, China, ca. 1720, hard-paste porcelain with underglaze blue. Drayton Hall, National Trust for Historic Preservation.

The fascination with Chinese porcelain was as strong among the Lowcountry elite as it was with the British gentry. Trade laws of the day mandated that Chinese and other imported goods be moved through a British port before their re-shipment to America, but the resulting additional cost did not dissuade affluent colonists. South Carolina planter and political figure Francis Yonge may have been the first owner of these Chinese export beakers. Although Yonge resided in an Ashley River house of modest size, he went to England several times on the colony’s business. Both his travels and his wealth gave him access to such luxury goods.

Beakers were likely used for the consumption of hot beverages such as chocolate. The form was popular in the early 18th century, but soon gave way to the shorter cups associated with tea and coffee. As a result, beakers are seldom encountered on American archaeological sites.

*Fragments of two vessels from the same set are mounted to resemble a single beaker.

 

04_Teacup and Saucer

3. Teacup and Saucer, Jingdezhen, China, 1722-1750, hard-paste porcelain. Drayton Hall, National Trust for Historic Preservation.

These delicate tea wares were probably part of the first generation furnishings at Drayton Hall Plantation, which was finished in the late 1740s. The vessels are finely potted and of the higher quality more commonly associated with Chinese porcelains destined for the English and Continental European markets. Although not unknown in colonial America, Chinese porcelain with such minutely detailed painting was relatively rare. The superiority of these goods is in tune with period observations about the luxurious furnishings seen in the homes of the Low Country’s leading citizens.

These pieces were part of a larger group of cups and saucers that may have included a matching teapot. However, it is just as likely that they were used with a teapot made of silver, white salt-glazed stoneware, or another material. Mixing different wares was quite acceptable, even in gentry settings.

08_Saucer Dish

4. Saucer Dish, Jingdezhen, China, ca. 1750, hard-paste porcelain with underglaze blue. Museum Purchase, The Buddy Taub Foundation, Dennis A. Roach and Jill Roach Directors, 2013-29.

Porcelain decorated with cobalt blue had been popular since the 14th century when the Chinese first developed it. The main source of cobalt at that time was Persia, where there was a thriving earthenware industry. Because cobalt can be fired to a very high temperature in the kiln without burning off the dish, it had an economic as well as an aesthetic advantage: cobalt-decorated pieces of porcelain were not only beautiful, they also did not have to undergo multiple firings.

Blue-decorated porcelain appears archaeologically on many colonial sites. This fine example features a water buffalo, a popular design in colonial Virginia of which variations have been found on numerous sites. A dish with similar decoration, but rendered in more elaborate opaque enamels, was owned by Miles Brewton of Charleston, South Carolina.

09_Dish

5. Dish, Jingdezhen, China, ca. 1736, hard-paste porcelain with opaque enamels. Museum Purchase, Wesley and Elise H. Wright in memory of Mr. and Mrs. Henry Clay Hofheimer II and in honor of John C. Austin, 2013-57.

This dish exactly matches one owned by the Lee family of Stratford Hall in Westmoreland County, Virginia. Stratford was built in the late 1730s, which corresponds to the date of this piece. The example recovered at Stratford was found in a rat’s nest in a wall of the house during 20th-century restoration. This pattern was popular on export porcelain in this color palette as well as in translucent enamels called “Imari.” Imari versions have been found archaeologically in Williamsburg and are also known in the Gore and Cargill families of Massachusetts. The design depicts two crabs holding a Chinese coin between them. The colonists who dined off of these wares probably did not know that, to a Chinese audience, the design indicated wishes for prosperity and financial success.

10_Cream Jug

6. Cream jug, Jingdezhen, China, ca. 1735, hard-paste porcelain with translucent enamels. Museum Purchase, 1964-335.

As the market for porcelain grew in Europe, potters in China began to produce more wares specifically based on Western shapes. This cream jug directly relates to silver prototypes, while the decoration continues to be Asian in inspiration. This piece descended in the Glen-Sanders family. It may have been owned by Deborah Glen and her husband John Sanders who married on December 6, 1739. Both the Glen and Saunders families were prominent in colonial New York. The cream jug was most likely used at the family home, Scotia, near what is now Schenectady.

05_China of the Most Fashionable Sort view1

China of the Most Fashionable Sort: Chinese Export Porcelain in Colonial America, DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg Foundation. (View 1)

06_China of the Most Fashionable Sort view2

China of the Most Fashionable Sort: Chinese Export Porcelain in Colonial America, DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg Foundation. (View 2)

07_China of the Most Fashionable Sort view3

China of the Most Fashionable Sort: Chinese Export Porcelain in Colonial America, DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg Foundation. (View 3)

To learn more about the exhibit and the art museums of Colonial Williamsburg, please follow these links:

www.colonialwilliamsburg.com/do/art-museums/wallace-museum/chinese-porcelain/

www.history.org/history/museums/

www.facebook.com/ArtMuseumsofCWF

 

China of the Most Fashionable Sort – October 15th  South Carolina Society Hall, 72 Meeting ST., Charleston, SC

Doors open at 5:30pm with a Wine and Cheese Reception.
Presentation starts promptly at 6:30pm.
No advance reservations; please arrive early as seating is limited.

Sponsored by The Francis Marion Hotel, Charleston, SC.http://francismarionhotel.com/

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Preserving the Past, Preparing the Future: Celebrating Ten Years of Wood Family Fellows

 The Drayton Hall Distinguished Speakers Series – Thursday, September 17, 2015

Stephen Wood photo black and white

Stephen Wood at Drayton Hall, 1980

Presented by Carter C. Hudgins, Ph.D., Acting President and Executive Director, Drayton Hall Preservation Trust

One of the most significant contributions to the initiatives of Drayton Hall has been the establishment of the Wood Family Fellowship, which was created by Anthony C. “Tony” Wood in 2005 in honor of his parents Leonard and Tanya Wood, and in memory of his brother Stephen Wood.

In August 1980, Stephen was a young preservationist who was repairing Drayton Hall’s main house as part of the National Trust for Historic Preservation Restoration Workshop when the scaffolding that he was on gave way. He fell to the ground below and later that day succumbed to his injuries. Some 24 years later, misfortune revisited the family as the lives of Tony’s parents Leonard and Tanya, who reared their children on the lessons of history and the value of preservation, were claimed by a car accident while traveling east of their home in Charleston, Illinois.

To further the legacy of his brother and parents in a manner that would build on the Wood family’s values and dedication to education and historic preservation, Tony and his husband, Anthony Badalamenti, established the Wood Family Fellowship at Drayton Hall in 2005. By design, the Fellowship is intended to foster the care and research of Drayton Hall while providing guidance and inspiration to rising scholars in the fields of history, historic preservation, anthropology, decorative arts, and architectural history.

L-R: Sarah Stroud Clarke, Carter C. Hudgins, Trish Smith

L-R: Sarah Stroud Clarke, Carter C. Hudgins, Trish Smith

Such an experience continues to lend to the advancement of Drayton Hall as past Fellows Carter C. Hudgins, Sarah Stroud Clarke, and Trish Smith presently serve as the site’s Acting President & Executive Director, Archaeologist & Curator of Collections, and Curator of Historic Architectural Resources, respectively. These three former Fellows will join Drayton Hall Preservation Trust Board Member Anthony C. Wood to celebrate ten years of success with an eye towards the future of the program.

This event is sponsored by Richard and Jill Almeida.

Members in the Friends of Drayton Hall will find more about the history and impact of the Wood Family Fellowship in the Spring/Summer 2015 (Vol 34, No 1) edition of their members newsletter, Interiors.

 

Drayton Hall’s Fall 2015 Distinguished Speakers Series Starts September 17

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The Friends of Drayton Hall are pleased to present the 2015 fall season of the Drayton Hall Distinguished Speakers Series. Beginning with the opening event on September 17, you can expect thought-provoking presentations related to American history and culture by some of today’s most respected historians and curators. Speakers will also highlight the connections of Charleston and Drayton Hall to their research interests and answer questions from the audience. All programs will be held at South Carolina Society Hall.

For more about the fall series, visit the Distinguished Speakers’ website.

Carter Hudgins headshot 2013 - bwSeptember 17th – Dr. Carter C. Hudgins, Drayton Hall, will celebrate Ten Years of the Wood Family Fellowship — one of the most significant contributions to the stewardship and advancement of Drayton Hall. Past Fellows include Hudgins, Sarah Stroud Clarke, and Trish Smith who presently serve as the site’s Acting President & Executive Director, Archaeologist and Curator of Collections, and Curator of Historic Architectural Resources, respectively. Sponsored by Richard and Jill Almeida.

Portrait of Suzanne Hood; August 13th, 2014.

October 15th – Suzanne F. Hood, Colonial Williamsburg, will present China of the Most Fashionable Sort: Chinese Export Porcelain in Colonial America, including ceramics owned and used in seventeenth- and eighteenth-century America with a particular emphasis on archaeological ceramics, Chinese export porcelain, salt-glazed stoneware, and British pottery.

Inaugural Chipstone Lecture:

Milestone Portraits; Cary Carson; 30 Years;

November 19th, Cary Carson, Ph.D., Colonial Williamsburg, retired, to present All Dressed Up, But No Place To Go, which examines the extraordinary archaeological discovery of three of Colonial Virginia’s most lavish structures: over-the-top, eye-popping plantation houses, similar to the colonial stature of Drayton Hall — except that their owners never resided in their grandiose mansions. Why? Dr. Carson will unravel the mystery. Sponsored by the Chipstone Foundation.

 

All programs will be held at South Carolina Society Hall, 72 Meeting Street 

Doors open at 5:30pm with a Wine and Cheese Reception.
Presentations start promptly at 6:30pm.
No advance reservations; please arrive early as seating is limited.
The 2015 Drayton Hall Distinguished Speakers Series
is sponsored by The Francis Marion Hotel, Charleston, SC.

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