Liberty & Slavery: The Paradox of America’s Founding Fathers

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Drayton Hall is pleased to present the first Charleston-area screening of the award-winning documentary film “Liberty & Slavery: The Paradox of America’s Founding Fathers,” produced and directed by filmmaker A. Troy Thomas of Inertia Films.

America’s Founding Fathers were men yearning for a nation of individual liberty and unprecedented independence. Thomas Jefferson expressed this desire in the Declaration of Independence in 1776: “We hold these truths to be self-evident, that all men are created equal…” But the origins of America were already seeded with a cruel paradox because many of the liberty-loving, southern Founding Fathers, including Jefferson and Washington, were also slave owners. Slavery was commonplace in the 18th century—not just in America, but in the world.

But why did the non-slave-owning Founding Fathers compromise with the slave-owning Founders when it came to ratifying the U.S. Constitution?

How do we make sense of this paradox?

Watch as “Liberty & Slavery” searches for answers through a series of interviews with respected authors, historians, theologians, and many other notables.

Thursday, September 8
The Charleston Museum
360 Meeting Street
5:30 – 8:00 pm

    Free and open to the public. No advance reservations required.

Doors open at 5:30 pm with a reception and introductions by Carter C. Hudgins, President & CEO of the Drayton Hall Preservation Trust, and filmmaker Troy Thomas. A Q&A session will follow the screening.

Watch Trailer

 

For additional information, please contact:
Tara Odom, Special Events Coordinator
(843) 769-2627 or todom@draytonhall.org

Preparing for Hurricane Season

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Preservation Coordinator Cameron Moon removing one of the 74 louvered shutters from the main house.

 

Hurricane season is officially upon us. Are you ready?

Staff members across all departments have been planning, preparing, and taking necessary steps now in the event a storm should be headed our way. Case in point: the preservation department’s removal of louvered shutters in the main house.

Trish Lowe Smith, curator of historic architectural resources, and Cameron Moon, preservation coordinator, with the assistance of volunteer Stan Younce (not pictured), have been getting their exercise as they removed the 74 louvered shutters from the windows in the house.

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Curator of Historic Architectural Resources Trish Smith after removing one of the louvered shutters from the main house. Volunteer Stan Younce assisted.

“These Victorian-era shutters are not as useful as they once were now that protective UV film* cuts down on damaging light and heat in the house,” explains Patricia “Trish” Lowe Smith. “More importantly, our custom window covers that protect the house during a hurricane cannot be installed with the louvered shutters in place. So, to save precious time if we find ourselves in the path of a hurricane, we’ve taken them down and stored them in a protected space–they can be reinstalled, but at this time we have no plans to do so.”

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Shutters will be stored in a protected area; they can always be reinstalled, but with the many practical advantages of the custom window covers, there are currently no plans to do so.

 

Below is Trish’s diagram explaining how the plywood/Tyvek custom window covers work. The window glass is sacrificial in this system. If it breaks, rainwater will sheet down the Tyvek and back out instead of blowing into the house.

Windows Diagram

*In response to questions about what kind of protective UV film we use: it’s Solar Gard SS50. We chose it because it’s removable, doesn’t drastically change the look of the glass, and cuts down a significant amount of UV light and heat. After four years, we’re very happy with it.

About Drayton Hall  Founded in 1738, Drayton Hall is an icon of colonial America and the nation’s earliest example of fully executed Palladian architecture. After seven generations, the Revolutionary and Civil Wars, and numerous hurricanes and earthquakes, the main house remains in nearly original condition. A National Historic Landmark, Drayton Hall is a property of the National Trust for Historic Preservation and is administered by The Drayton Hall Preservation Trust.

When the National Trust acquired Drayton Hall in 1974, it made the decision to “preserve” or stabilize the site. This action—unprecedented in its day—set Drayton Hall on a course unique among historic sites: it preserved its authentic, centuries-old timeline of history rather than restoring it to one specific period. Because it has never been modernized with electric lighting, plumbing, or central heating or air conditioning, the main house remains unfurnished, allowing the beauty of the architectural details to come through.

Drayton Hall In The News

 

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Written by Drayton Hall’s President and CEO Carter C. Hudgins, Ph.D.,  a 2006 Wood Family Fellow, the article describes the significant impact that one committed donor can have on an institution. It also shows how each of the Fellow’s work has informed the next and has led to many remarkable discoveries over the past ten years–helping to shape a new era of acquisitions, expansion of our museum collections, and site interpretation. Read the entire article here.

 

Lowcountry Giving Day – May 3rd

Lowcountry Giving Day is coming soon! When you select Drayton Hall as the recipient of your donation, you will help support critical preservation projects and educational programming.  Please help us preserve Drayton Hall for the future and schedule your donation today: http://bit.ly/24hO2lp

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“John Hope: Botanist of the Scottish Enlightenment”

Henry Noltie headshot

The 2016 Drayton Hall Distinguished Speakers Series – Thursday, April 21

Speaker: Henry Noltie, Ph.D., Royal Botanic Garden Edinburgh

VENUE: SOUTH CAROLINA SOCIETY HALL, 72 MEETING STREET, CHARLESTON, SC

Today, we tend to imagine that inter-continental travel is a recent phenomenon – in fact it has always taken place, it merely took slightly longer. For example, such was the renown of the Edinburgh Medical School in the 18th century, that it drew students from as far afield as Russia and India in the east, and from the American colonies (including the Caribbean) in the west. One such student was Charles Drayton, who made the transatlantic trip to study botany and materia medica in 1767 under the famed professor John Hope. In keeping with this theme, Dr. Noltie will journey from Scotland to Charleston to speak about the botanical information Charles Drayton brought with him back from Scotland as he made the same trip just about 250 years prior. Dr. Noltie will additionally focus on John Hope and some of his other American pupils, including Benjamin Rush, who was in the same year as Drayton, and an exciting new project that has seen the rebuilding of the house that Hope built, to designs by John Adam, to house his head gardener, and as a lecture room that Drayton would have sat in had he arrived in Edinburgh ten years later.

Since 1986, after studying botany at Oxford and Museum Studies at Leicester, Henry Noltie, Ph.D., has worked at the Royal Botanic Garden Edinburgh (RBGE) as a curator and taxonomist. For 14 years he worked on the Flora of Bhutan project, writing the first account of the plants of that remote Himalayan Kingdom and leading the team for its concluding years. He wrote two of the volumes of the Flora, relating to the monocots, for which he received a PhD from the University of Edinburgh. Since 2000, his work has been on historical aspects of the rich herbarium and illustrations collections of the RBGE, especially relating to India, which has combined nomenclatural research with historical and art-history studies and the mounting of exhibitions at the RBGE gallery, Inverleith House. A series of publications on Scottish East India Company surgeons, and the botanical drawings they commissioned from Indian artists in the late 18th and early 19th century, has resulted. This work was extended into SE Asia in a collaboration with the British Library on the collections of Sir Thomas Stamford Raffles. His work on the Scottish Enlightenment botanist John Hope also took visual materials for its starting point – the unique collection of Hope’s teaching drawings preserved at RBGE led to the writing of a short biography in 2011. His most recent work is a two-volume work on Hugh Cleghorn (1820–1895), a pioneering Forest Conservator, but also the source of one of the largest collections of botanical drawings and books in the RBGE collection.

About Drayton Hall  Founded in 1738, Drayton Hall is the nation’s earliest example of fully executed Palladian architecture and the oldest preserved plantation house in America still open to the public. After seven generations, the Revolutionary and Civil Wars, and numerous hurricanes and earthquakes, the main house remains in nearly original condition. A National Historic Landmark, Drayton Hall is a property of the National Trust for Historic Preservation and is administered by The Drayton Hall Preservation Trust.

When the National Trust acquired Drayton Hall in 1974, it made the decision to “preserve” or stabilize the site. This action—unprecedented in its day—set Drayton Hall on a course unique among historic sites: it preserved its authentic, centuries-old timeline of history rather than restoring it to one specific period. Because it has never been modernized with electric lighting, plumbing, or central heating or air conditioning, the main house remains unfurnished, allowing the beauty of the architectural details to come through.

Click here for information on all of our 2016 Distinguished Speakers.

Doors open at 5:30pm with a Wine and Cheese Reception.
Presentations start promptly at 6:30pm.
No advance reservations; please arrive early as seating is limited.

The 2016 Drayton Hall Distinguished Speakers Series
is sponsored by The Francis Marion Hotel, Charleston, SC.

Francis Marion Hotel

Curating the Black Atlantic: Race, Memory, and Museum Making

Jonathan Holloway

Jonathan Holloway

The 2016 Drayton Hall Distinguished Speakers Series – Thursday, March 24th

Speaker: Dean Jonathan Holloway, Ph.D., Yale College

Venue: South Carolina Society Hall, 72 Meeting Street, Charleston, SC

 

Beginning in the 1970s, museum curators began to search for materials and artifacts they could use to interpret the black experience in the Americas. Their efforts flew in the face of previous scholarship that declared that there were almost no artifacts available to understand the black past. Using new technologies, the new generation of curators argued that their predecessors were wrong. Whereas earlier scholars only saw “absence,” the post-civil rights curators concluded that they were surrounded by evidence of a black past. The absence, it turns out, was the evidence.

How can we make sense of this conclusion? What can we learn by studying the history of absence? What does the black past tell us about how the Atlantic world was made and about the role of museums in making that world?

Jonathan Holloway (GRD, 1995) is Dean of Yale College and Edmund S. Morgan Professor of African American Studies, History, and American Studies. He specializes in post-emancipation United States history with a focus on social and intellectual history. He is the author of Confronting the Veil: Abram Harris Jr., E. Franklin Frazier, and Ralph Bunche, 1919–1941 (2002) and Jim Crow Wisdom: Memory and Identity in Black America Since 1940 (2013), both with the University of North Carolina Press. He edited Ralph Bunche’s A Brief and Tentative Analysis of Negro Leadership (NYU Press, 2005) and co-edited Black Scholars on the Line: Race, Social Science, and American Thought in the 20th Century (Notre Dame University Press, 2007). He has written an introduction for a new edition of W.E.B. Du Bois’s Souls of Black Folk, published by Yale University Press in 2015. He has held fellowships from the W.E.B. Du Bois Research Institute at Harvard University, the Stanford Humanities Center, and the Ford Foundation. He was an Alphonse Fletcher Sr. Fellow in 2011–2012. Currently, he is a Distinguished Lecturer for the Organization of American Historians.

About Drayton HallFounded in 1738, Drayton Hall is the nation’s earliest example of fully executed Palladian architecture and the oldest preserved plantation house in America still open to the public. After seven generations, the Revolutionary and Civil Wars, and numerous hurricanes and earthquakes, the main house remains in nearly original condition. A National Historic Landmark, Drayton Hall is a property of the National Trust for Historic Preservation and is administered by The Drayton Hall Preservation Trust.

When the National Trust acquired Drayton Hall in 1974, it made the decision to “preserve” or stabilize the site. This action—unprecedented in its day—set Drayton Hall on a course unique among historic sites: it preserved its authentic, centuries-old timeline of history rather than restoring it to one specific period. Because it has never been modernized with electric lighting, plumbing, or central heating or air conditioning, the main house remains unfurnished, allowing the beauty of the architectural details to come through.

Click here for information on all of our 2016 Distinguished Speakers.

Doors open at 5:30pm with a Wine and Cheese Reception.
Presentations start promptly at 6:30pm.
No advance reservations; please arrive early as seating is limited.

The 2016 Drayton Hall Distinguished Speakers Series
is sponsored by The Francis Marion Hotel, Charleston, SC.

Francis Marion Hotel

“The Best Portico: Rehabilitating an Architectural Icon”

3. Drayton Hall-Photographer Ron Blunt

Drayton Hall, an icon of colonial America, with its rare double portico.

The 2016 Drayton Hall Distinguished Speakers Series – Thursday, February 18th

  Speaker: Trish Smith, Curator of Historic Architectural Resources, Drayton Hall

Venue: South Carolina Society Hall, 72 Meeting Street, Charleston, SC

 

Five years ago, Drayton Hall launched the portico rehabilitation project: an effort to remedy serious threats to the portico’s preservation and to visitor safety. After years of careful study and planning, the final construction phase is drawing to a close. Join Drayton Hall’s Curator of Historic Architectural Resources, Trish Smith, as we take a look back at what makes Drayton Hall’s portico so special and how an international team of professionals came together to bring this momentous project to completion.

Trish_Headshot - resized for webPatricia “Trish” Lowe Smith is the Curator of Historic Architectural Resources at Drayton Hall. After graduating with a B.A. in Art History from the University of South Carolina Honors College, Smith received her M.S. from the Clemson University and College of Charleston joint graduate program in Historic Preservation. Smith came to Drayton Hall in 2010 as a Wood Family Fellow, and joined the staff permanently upon completion of her fellowship. In 2013, Smith was awarded a residential fellowship at the Colonial Williamsburg Foundation’s Digital History Center to study the application of 3D visualization technology for the documentation and interpretation of cultural heritage sites. During her tenure at Drayton Hall she has assembled the site’s first preservation archive, carried out several architectural conservation projects, launched a digital restoration of Drayton Hall, and is currently managing the rehabilitation of Drayton Hall’s iconic portico.

About Drayton HallFounded in 1738, Drayton Hall is the nation’s earliest example of fully executed Palladian architecture and the oldest preserved plantation house in America still open to the public. After seven generations, the Revolutionary and Civil Wars, and numerous hurricanes and earthquakes, the main house remains in nearly original condition. A National Historic Landmark, Drayton Hall is a property of the National Trust for Historic Preservation and is administered by The Drayton Hall Preservation Trust.

When the National Trust acquired Drayton Hall in 1974, it made the decision to “preserve” or stabilize the site. This action—unprecedented in its day—set Drayton Hall on a course unique among historic sites: it preserved its authentic, centuries-old timeline of history rather than restoring it to one specific period. Because it has never been modernized with electric lighting, plumbing, or central heating or air conditioning, the main house remains unfurnished, allowing the beauty of the architectural details to come through.

Click here for information on all of our 2016 Distinguished Speakers.

Doors open at 5:30pm with a Wine and Cheese Reception.
Presentations start promptly at 6:30pm.
No advance reservations; please arrive early as seating is limited.
The 2016 Drayton Hall Distinguished Speakers Series
is sponsored by The Francis Marion Hotel, Charleston, SC.
Francis Marion Hotel

 

 

 

 

 

Drayton Hall in the News – January 2016

 

Drayton Hall 2013

Photo by Jack Alterman

Enjoy these two recent articles about Drayton Hall, its staff, and the work we’re doing to preserve this architectural masterpiece.
Online: January 2016 – Charleston Mercury – “Drayton Hall’s ‘Bad Boy’” by Robert Salvo or download the pdf version: ChasMerc DraytonHall’s bad boy fullarticle
Online: January 17, 2016 – Post & Courier – “At Drayton Hall, a New Solution to an Old Problem” by Robert Behre or download the pdf version: P&C Drayton Hall’s Portico full article

 

 

 

 

Mark your Calendars: the 2016 Drayton Hall Distinguished Speakers Series

Website HeaderThe Friends of Drayton Hall are pleased to present the third season of the Drayton Hall Distinguished Speakers Series. Beginning with the opening event of the 2016 season, you’ll experience a range of thought-provoking presentations related to America’s history and culture by some of today’s most respected historians, archaeologists, and curators. Speakers will also highlight the connections of Charleston and Drayton Hall to their research interests, and answer questions from the audience. For additional information on this year’s speakers, please visit the Drayton Hall Distinguished Speakers Series website.

The 2016 Drayton Hall Distinguished Speakers Series is sponsored by The Francis Marion Hotel, Charleston, SCFMlogo

SPRING 2016 SERIES

Thursday, February 18, 2016
Patricia Lowe Smith, Curator of Historic Architectural Resources, Drayton Hall Preservation Trust
The Best Portico: Rehabilitating an Architectural Icon

Thursday, March 24, 2016
Dean Jonathan Holloway, Dean of Yale College and Edmund S. Morgan Professor of African American Studies, History, and American Studies
Curating the Black Atlantic: Race, Memory, and Museum Making

Thursday, April 21, 2016
Henry Noltie, Royal Botanic Garden Edinburgh
John Hope: Botanist of the Scottish Enlightenment

FALL 2016 SERIES

Thursday, September 15, 2016
Sarah Stroud Clarke, Archaeologist & Curator of Collections, Drayton Hall Preservation Trust
What Lies Beneath: The Archaeology of the pre-Drayton Era

Thursday, October 20, 2016
Dr. William M. Kelso, Director of Research & Interpretation, Historic Jamestowne
Jamestown, The Buried Truth

Thursday, November 17, 2016 – SPONSORED BY CHIPSTONE 
Dr. David S. Shields, Carolina Distinguished Professor and the McClintock Professor of Southern Letters, University of South Carolina
Creating the World Orchard                              

 LOCATION

South Carolina Society Hall
72 Meeting Street, Charleston SC 29401

Ample on-street parking and public lot parking
is available within a block of the South Carolina Society Hall

Doors open at 5:30 pm with a Wine and Cheese Reception.
Presentations start promptly at 6:30 pm.
No advance reservations; please arrive early as seating is limited.

For more information, please contact: Tara White Odom, Development Events Coordinator, 843-769-2627 or by e-mail

Building Bridges Symposium Highlights Latest Research and Discoveries from Drayton Hall

header1Join us on January 29 and 30 for Breaking Ground and Building Bridges, a symposium that brings together leading scholars from Charleston’s preservation and history organizations to present new research on the material culture of the Carolina Lowcountry. Over the course of two days, speakers will discuss exciting initiatives and cutting–edge research projects related to archaeology, the decorative arts, social history, and post-Reconstruction Charleston. Critically-acclaimed artist Jonathan Green will give the Keynote Address at the Building Bridges Symposium.

This year, Drayton Hall will be represented in the program by Cameron Moon, Preservation Coordinator, who will present “The Caretaker’s House: Vernacular Architecture and the Postbellum African American Community at Drayton Hall” on Friday at 2:15 pm. Ms. Moon will speak about how her research of the caretaker’s house has led to a better understanding of the African American community living at Drayton Hall from the late 19th to mid-20th century and has helped to develop a more accurate portrayal of the tenant houses and landscape during phosphate mining.

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c. 1915, one of the earlier photographs of the caretaker’s house shows it in its original location next to the main house. This is a rare view, as it is of the back of the house and shows its original footprint before an addition on the back was built in 1923.

The Symposium is a collaboration between Historic Charleston Foundation, Drayton Hall Preservation Trust, The Charleston Museum and Preservation Society of Charleston to facilitate dialogue among many of the Lowcountry Institutions. All proceeds will benefit the sponsoring institutions. Symposium tickets are $125/person for the general public and free for students.

See full schedule and purchase tickets

 

Camerodrayton_hs_06n Moon is a graduate of the College of Charleston with a degree in Historic Preservation and Community Planning and a minor in Anthropology. Her honors thesis chronicled the adaptive reuse of the Cigar Factory on East Bay Street and its relationship with the surrounding neighborhood. Before joining the DHPT staff in September 2014, she worked for Edgewood Builders, where she learned construction, preservation, and restoration techniques at Medway Plantation and houses in the historic district. Cameron is currently working on ongoing Drayton Hall conservation projects as well as converting the museum shop, housed in the former caretaker’s house, into an interpretive museum space.